photos

Rights and Respect in photography

Today, I stumbled across an article on Found Photography, titled ‘Your rights as a photographer‘. At first, I was intrigued, thinking that it would have something to do about copyright.

Instead, it turned out to be about photographing Amish people, who, according to the article, "The Amish don’t like to be photographed because it might cause them to be tempted by pride". The article then finishes with some tips about your rights, if you come across Amish people in public places, and what your rights are regarding photographing them.

This reminded me of a different discussion I had a while ago, which regarded photographing people who didn’t want to be, also for religious reasons: Some Native tribes, for example, believe that a photograph of them means you steal their soul. It would, therefore, be less than wise to photograph them.  

The rights, as described in the article, are as follows:

1. Almost anything you can see you can photograph. If you can see it, you can take a picture of it. If you are standing on public property you can photograph anything you like, including private property. It is important to realize that taking a picture is different than publishing a photo, which leads to point number two.

2. As long as you are not invading someone’s privacy, you can publish their photo without permission. You can take someone’s picture in any public setting and publish it without consequence (even if it portrays the person in a negative way) as long as the photo isn’t “highly offensive to a reasonable person” and “is not of legitimate concern to the public.” You can even publish photos if you took them on private property. While you may be punished for being on private property, there is no legal reason why you can’t publish the photo from prison!

3. As long as you aren’t using someone’s likeness for a purely commercial purpose, you have the right to publish the photo. You can use your photos of other people without their permission for an artistic or news purpose, but you can’t use them for a commercial purpose (such as an ad). You could sell a photo of a person without their permission, but you couldn’t use the photo in an ad saying the person endorses your product.

Whilst this is all correct, and really important to keep in mind, there is a different consideration to keep in mind, which brings me to the point of this article...

Respect in Photography

As a photographer, I have experienced feeling that I have touched people in a ways I wish hadn’t. An accidental invasion of privacy, so to speak, which made me feel as if I had commited the rudest form of sexual harassment – without even being aware of it.

In photography, One day, you can take a photograph of someone who is not wearing any clothes, but it will be okay. The next day, you can take a picture of someone who is fully dressed, even if you don’t see their face, and it is the worst of possibly imaginable sin. What is okay in one situation can be wrong in another.

The legal aspect

Many countries in Europe have added the European Convention on Human Rights as part of their set of laws. This convention has something that is devastating to privacy, called Section 10.

“Everyone has the right to freedom of expression. This right shall include to receive and impart information without interference by public authority and regardless of frontiers.” In practice, this is roughly the same as the 1st Amendment in the American Bill of Rights – the freedom to expression.

The conclusion drawn from the 1st amendment and Section 10 is that you can always take pictures. Even on private property, you have the right to photograph anything you can see.

Despite of something being legal, it doesn’t mean that you should, though.

The moral aspect

Several minority cultures believe that taking a picture is the same as stealing somebodys soul. Taking a picture of a member of such a culture is inexcusable. Upon having taken the picture – as far as they are concerned – it is too late.

If you, as a photographer – especially as a professional photographer – make the mistake of taking a picture of a member of such a minority group, you have fucked up beyond forgivenness. Call it a breach of professional conduct, or a kick to the shins of common sense.

Other times, however, you meet people of whom you really couldn’t have known their aversion to photography. I have experienced taking a picture of a couple looking wonderfully in love. When they realised I took the picture, the male half of the couple came over and asked me for the film. Apparantly he was married, and didn’t want me to publish the picture. What was I to do? I decided to promise him to not use the image, and deleted it off my camera. Not a legal choice - a moral one.

In the grand scheme of things, I haven’t been a photographer for all that long. Situations like that will arise again, I am sure. And I am certain that modesty, along with a dose of appropriateness, will get me through those situations.

I have a few friends who work as wartime photographers. In the job, they see some of the most horrible things known to man. The pictures in the newspapers are the mild versions of some of the pictures I have seen people come back with. And the pictures never go outside their photo albums. Why? Because some things don’t need to be shown.

A man far wiser than me said to me once: "These things are not secret, but they are sacred, and should not be taken lightly".

I know of no respected photographer who didn’t have respect for the subjects s/he photographs. And – even if you aren’t the best photographer in the world – showing respect will get you the respect you need to get a good start in the lion’s den that is Photography.

Our musically themed photo contest has a winner!


Congratulations to Bruno!

For November's competition, we were looking for musically themed photos. The theme was a slight departure from the norm, but a change can be as good as a rest. Anyway, after careful consideration of the entries (a process that can involve a lengthy exchange of emails), Haje and I settled on the gorgeous entry by Bruno as our winner.

Many congratulations Bruno! You've just won yourself a 12" Fracture. (And for those of you who've not checked out Fracture for your prints, you really should!)

Details of December's competition will be going up pretty soon!

A bit of a change at Small Aperture


Daniela

Over the summer, Team Small Aperture has lived through some really exciting changes. Haje and his lovely Other Half have moved to a new continent; Gareth and his lovely Other Half are expecting a baby; and I quit my day job and became a social hermit in order to write a book. (If I’d had an Other Half, lovely or otherwise, he’d have left me and cited abandonment. Thankfully I don’t.) And through all of this, we received an offer from Pixiq asking us very nicely if Small Aperture would like to join forces with them. We thought about the offer carefully; after all, we’ve worked hard here, and we don’t want to relinquish anything that we’ve striven to create and develop, but it did have its advantages. The decision wasn’t at all cut-and-dried.

Eventually, though, after extensive discussions amongst ourselves and with the team at Pixiq, we’ve decided to accept their offer. From our perspective, it gives us the latitude to be able to do what we do best: take photos and write. We don’t need to worry about maintaining servers, about the site collapsing around our ears, or about financing things. We can get on with our very new lives with a bit more certainty.

From your perspective, very little changes. You still get to hear what we have to say about new cameras, about workshops and exhibitions, about books, about anything that’s even vaguely related to photography. The monthly competition will continue. And we’ll continue to be as irreverent, disparaging, excited, cynical, and hyperactive as we’ve always been. You won’t even have to change your RSS feed.

We’re very excited to be joining Pixiq, and admittedly a little bit sad to be leaving behind the black and turquoise Small Aperture design. But we hope that you’ll stay with us the for the ride, because it’s going to be awesome.

Photo Critique V: Portrait


Peter's original image...

It's time for another round of video photo critiques! This week, it's Portrait by Peter Dahlgren. He has helpfully done a blog entry on the photo as well, to help you get a feel for how he's done it. 

So, check out the critique below, and if you want to have one of your own photos critiqued, check out this post!

 

Your favourite rules of photography


There are many ways to learn photography - one of the easiest ways is to learn a set of 'rules' that work like a shortcut toward getting awesome photos. You'll have heard of a lot of them before; there's the Rule of Thirds, for example, the golden mean, or simpler rules, too: Such as "get your photos in focus" and all the rules-of-thumb to do with equivalent exposures etc.

Do you know of any other “rules” for photography? Which rules to you stick to most of the times, and what rules do you love to break for best effect? Leave a comment below!

Photo Critique IV: Eagle


It's time for another round of video photo critiques! This week, it's Eagle, by Latrell Olner that's going on the proverbial chopping block. 

So, check out the critique below, and if you want to have one of your own photos critiqued, check out this post!

Enjoy!

 

Winners of Street Photography Now

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In October 2010, the Photographers’ Gallery and the authors of Street photography Now, Sophie Howarth and Stephen McLaren, launched a 52 week street photography project. The idea behind it was to get photographers from across the world back on the street and documenting life around them. Each week there was a challenge and photos were submitted to a Flickr pool. Although it wasn’t intended to be a competition, the two people who were deemed to have made the biggest contribution to the project have just been awarded with £500 of Thames and Hudson books. And they were…

Jo Paul Wallace and Jack Simon

B side #20

Week 20 (Slow down, the next picture may be very quiet and close), B-side, by Jo Paul Wallace

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Week 48 (Things are what they seem to be, or maybe something else), by Jack Simon

Congratulations both. In addition to their piles of books, both have dedicated galleries of their contributions on the Street Photography Now project website. You can take a look at Jo Paul Wallace’s here and Jack Simon’s here.

Instagram 2.0

Instagram 2.0

The mega-successful photo-sharing and iPhoneography icon, Instagram, with its gajillion users, has just undergone its first major upgrade since it hit the App store just under a year ago. It’s Instagram 2.0. It’s faster and it has a gamut of new features. Wanna know what’s new?

Well, first up is Live Filters, which means that you can apply whichever filter floats your boat before you snap your pic, and see what it looks like. As for those filters, they’ve introduced four new ones: Amaro, Rise, Hudson, and Valencia.

There’s a new tilt-shift doo-dad that’s super-fast: pinch, pan, and rotate and watch it all in live view.

In response to people’s requests for higher resolution images, they’ve done just that. If you use an iPhone 4, resolution has increased from 612×612 to 1936×1936. If you’re stuck with the iPhone 3GS, resolution is now 1536×1536.

Borders are now optional. Much better! And you can now rotate your photos so that they’re not stuck on their sides. Fabulous!

But it’s all still only available for devices-Apple. If you’re an Android user, no Instagram for you.

All the details are over on Instagram’s blog.

Our August photo competition

Pattern 11 - moss

We’ve done it! We’ve wracked our brains and thought of a theme for this month’s competition. It was terribly hard work, you should know. We’re looking for pictures on the theme of texture. It can be rough or smooth, you can do a macro of some fabric, you could capture the look of moss or lichen… we really don’t mind. We’re looking forward to seeing what you drop into the Flickr pool. Our winner gets a fabulous 12″ Fracture, too!

You’ve three weeks to submit a photo, so you have from today (Wednesday 3 August) until Wednesday 24 August. It’s only one photo per person, and they need to go in the Small Aperture Flickr pool.

If you’ve any questions, please be in touch. Otherwise, I’ve reproduced The Rules, just in case. Good luck and have fun!

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.

News in brief: Copy Instagrams with Copygram

Instagrammers, if you’re looking for an easy means to download all your Instagrams, upload them to FaceBook or Google+, or even print them out (with SnapFish), you might want to take a look at Copygram. Non-Instagrammers, if you’re wondering what all the Instagram fuss is about, you can check out people’s public Instagram streams on Copygram.

In the nine days since Copygram has been going, 163,138 instagrams have been copied. So that’s just a few then.

It’s definitely worth noting that if your Instagram feed is public, anyone can download your images and have them printed off through Copygram. There is a note telling you that Instagram photos belong to the original photographer, but I doubt that’ll stop anyone, will it?

What is this? - In our NewsFlash section, we share interesting tidbits of news. Think of it as our extended twitter feed: When we find something that get our little hearts racing, we'll share it with you right here! Loving it? Great, we've got lots more News Flash articles - and, of course, we're still on Twitter as well, for even shorter news tidbits.

Our July photo competition

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Hello All. It’s the first Wednesday of the month, which means it’s photo competition day. For no other reason than we felt like it, this month’s theme is red. (Okay, so maybe me buying a brand new red dress had a little something to do with it, but only a tad.) Let your imaginations run riot with red. We can’t wait to see what you drop into the Flickr pool, and to choose a winner, who’ll get a gorgeous 12″ Fracture.

You’ve three weeks to submit a photo, so you have from today (Wednesday 6 July) until Wednesday 27 July. It’s only one photo per person, and they need to go in the Small Aperture Flickr pool.

If you’ve any questions, please be in touch. Otherwise, I’ve reproduced The Rules, just in case. Good luck and have fun!

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.

Our June photo competition

Bubble ring

I’m very excited about this month’s theme. I dreamed it up a while ago (I say ‘dreamed up’ but it wasn’t exactly taxing on my imagination or anything) and cannot wait to see what you all produce for it. We’re looking for pictures that feature water this month. It doesn’t matter what form the water takes, whether it’s ice, waves, mountain tarns, steam, or puddles, it just has to be H2O. As ever, the wonderful Fracture are providing the awesome prize of a 12 inch Fracture.

Seeing as June has five Wednesdays in it this year, we thought that we’d take advantage and give you four weeks (rather than the customary three) to submit an entry. This means that you have until Wednesday 29 June to throw an image (just the one) into our our Flickr pool.

If you’ve any questions, you know where to find me. Otherwise, good luck!

Oh, and here are The Rules, just in case.

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.

(The picture is Haje’s. He took it diving. Lucky sod.)

News in brief: Flickr re-confirm user rights

After TwitPic’s recent brush with licence grabbing, a few other photo sites have gone under the loupe – and Flickr decided to post their response to the issue in their most recent blog post.

‘There has been some discussion on the web as of late about image ownership on photo sites so we wanted to take a moment to address this on Flickr,’ the blog post notes drily.

In their official statement, Flickr say that they ‘feel very strongly that sharing online shouldn’t mean giving up rights to your photos,’ and continue to confirm that their terms of service only includes a licence required by Flickr to operate its service – specifically, it ‘grants Flickr the right to (…) create the small, medium, and large sizes, display your photos on the site, etc. It doesn’t mean that we own them. When you upload your photos to Flickr, you retain the rights to your images.’

That’s the spirit, Flickr. Well done.

There’s more on the official Flickr blog.

What is this? - In our NewsFlash section, we share interesting tidbits of news. Think of it as our extended twitter feed: When we find something that get our little hearts racing, we'll share it with you right here! Loving it? Great, we've got lots more News Flash articles - and, of course, we're still on Twitter as well, for even shorter news tidbits.

Our April photo competition

Fingers

Portraits make great photos, but the human body can produce some of the most intriguing, inspiring, and delicious pictures, too. Hands can tell a story, hips can be sensual, and even feet can be made to look elegant. So that’s what we’re looking for this month: pictures of the human body. (Absolutely no dead ones, ya hear?) If you manage to produce the winning picture of a smouldering neckline or a marvellous macro of an eye, the super dudes over at Fracture will be giving you one of your pictures printed on glass.

We’ll accept submissions (one per person) from today – Wednesday 6 April 2011 – until Wednesday 27 April. They need to be added to the Small Aperture Flickr pool.

Any questions? No? Well you know where to find me if you do have any. And here are The Rules, in case.

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.

Our February photo competition

The Last Days of Mo

Hot on the heels of the amazing January photo competition with its collection of awesome photos comes February’s turn. This month we thought that we’d challenge you to show us how much you love your camera equipment, what with Valentine’s Day coming up and all. Yep, we want photos of your camera equipment. It doesn’t matter how or what: maybe a macro of your macro; perhaps a portrait of self with camera; even a study of your tripod. Get creative with your kit in more ways than one!

The even better news is that the lovely guys over at Fracture have agreed to sponsor the competition and they’ll be providing a 12″ fracture for the winner. Muchly awesome.

You’ve from today (Wednesday 2 February) until Wednesday 23 February to submit your entries (one per person) to our Flickr pool.

The Rules haven’t changed since last time, but they’re at the bottom, for your reference. Any questions? You know where to find me. Otherwise: go forth and take beautiful pictures!

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.

Our January photo competition

Taken with the compact camera in my handbag. Far from top of the range and runs on rechargeable AA batteries.

Seeing as we have just revealed the winner of our December photo competition, it makes it time to announce the details of the January competition. We’ve had a lot of black and white entries over the past few months. It’s hardly surprising, given the themes were disposed to black and white, so this month we thought that we’d go for all out colour. But this is colour with a twist.

We want a picture that is dominated by one shade. It doesn’t matter which particular colour you choose, but the image should be about that colour; a riot of red, a preponderance of purple, a glut of green. (If you’re not quite sure what I mean, the picture illustrating this post should give you an idea.)

You’ve from today (Wednesday 5 January 2011) until Wednesday 26 January 2011 to submit your entries to the Small Aperture Flickr pool. And yes, we’ve a delicious photo book lined up for the talented winner.

For your reference, I’ve reproduced the rules. But go forth, take beautiful photos, and good luck!

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.

The photos of our year

Haje's niece

Although you might know all of us here more by our words than by our photos, we are all photographers and we wield our cameras with overwhelming levels of enthusiasm. This of course produces prodigious quantities of pictures. You might get to see some of them alongside our articles, but we don’t tend to talk about them much. So to wrap up 2010, we thought that we’d let you see the world through Team Small Aperture’s photographic eyes. These are our favourite pictures that we’ve taken this year.

We hope that next year’s pictures will be even better. But until then, we all wish you a happy, healthy, and peaceful New Year.

Daniela

I’ll let you into a secret, I almost deleted this photo. No, not accidentally, but deliberately. Honestly.

I took it in a bead emporium in the souk in Marrakech. Immediately after I’d taken it, I didn’t examine it that closely because I tried not to draw too much attention to myself and my camera. It’s not exactly discreet to stand around critiquing your own work in a bustling market. Later in the evening, when I did stop to look at it, I was a bit disappointed. I’d not really captured what I wanted, but seeing as the chances of me finding that particular bead shop again were slim-to-none, I held on to it.

Back in the UK, where mint tea and haggling over leather goods were but a distant memory, I began to sift through my photos properly. Suddenly, somehow, the picture looked different. The colours seemed vibrant and the depth of field was intriguing. I actually liked it. I even liked it enough to have it printed. It’s on the wall of the library in the Small Aperture mansion. It’s a reminder of an awesome trip, and not to make hasty decisions.

Matt

It was honestly really hard to choose. I feel this is my favourite because it is one from my first series, Our Choices, which is a series of four photographs that depicts the choices we make as human beings, and the possible repercussions that can come with them.

Burning My Heart explores our emotional need as human beings, to be loved. Even though our emotions most certainly have been ‘burnt’ repeatedly by failed relationships, we continue to seek out other relationships, searching for our ‘one true love.’

Although, the photo may appear staged, it is not. All the photos in this series were hunted for months until I found the perfect image that I felt best showcased my ideas. You can take a look at all of them here.

David

I have a few favourites from 2010, but this one is definitely at the top of my list. This photo was taken on a random side street in Vilnius back in August. I went to Lithuania with my girlfriend to visit her mother. It was my first visit there and it was amazing.

What I love about this picture is that it describes Vilnius exactly how I remember it… the narrow cobblestone streets, the beautiful architecture of the churches, and just the overall feel you get of being in Lithuania. I can’t wait to go back again and I hope to in 2011. More of my Vilnius pictures are here!

Gareth

I found it nigh-on impossible to pick my favourite image I’ve taken this year. To clarify, I don’t mean that in an egotistical way – I didn’t sit at my laptop, scrolling through countless images, crying ‘but they’re ALL magnificent!’ What actually happened was I spent a miserable morning picking holes in every single image I’ve taken, thanks to my somewhat self-critical approach to reviewing my own work. To resolve this, I decided to go for the image that I remember being the most excited about before, during and after the shot itself.

This was a promotional image for a female wrestler who wanted to look simultaneously strong and feminine. The idea actually came to me on the day of shooting, moments before my client was due to arrive. It turned out exactly as I’d hoped – a spot of superheroine magic combined with evoking ideas of weightlifting and strength. The magic dust (also known as bread flour) created this perfect arc just as I hit the shutter release, so a combination of sudden inspiration, a great model to work with and a spot of luck makes this my favourite shot of the year.

If you fancy looking at some more of my pictures, you’ll find them here.

Haje

This is one of my favourite photos of 2010 – it came about more by luck than by anything: I was at the top of a climbing wall, and my niece was climbing up, too. I took a photo, and then realised that the light was absolutely gorgeous. So I kept snapping. She was a fast climber, and I only had about a minute to get the shot, but what came out was entirely worth it.

You can find more of my ‘best of’ on Pixiq.

A snapshot of Times Square

Picture 2

The New York Historical Society wants your pictures of Times Square. It doesn’t matter if your photographs are architectural, portraits, reportage, or snapshots. Whether you’re a tourist or a super-enthusiastic amateur isn’t important, either. It’s about creating an archive of contemporary views of Times Square that will be searchable today and in the future.

There are some things take into consideration, though. Your pictures need to have been taken between 21 November 2010 and 31 March 2011. They need to take in Times Square from West 42nd to 47th Streets at Broadway or Seventh Avenue. They need to be in guf, jpg, or png format. They need to be at least 1,200 by 1,500 pixels (which is 8″ by 10″ in old money). And you can correct the colour and crop a bit, but nothing that alters the original subject matter is allowed.

Of course, the photo (or photos, you can make multiple submissions) must be yours, but you should check out the submission details for yourself. You can do that, and find out how to submit your photographs, here.

(Headsup to Photography Blog.)

Our December photo competition

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Hello, one and all! It’s the first Wednesday of the month, which means that it’s time to start our photo competition. Once again, we have a groovy prize lined up for the winner! This month, we’d like you to submit a portrait for our contemplation and consideration. Black and white, or colour, it doesn’t matter. What we want is a picture of a person to make us go ‘Oooh!’

The competition opens today, that’s Wednesday 1 December, and runs until Wednesday 22 December in the spirit of Christmas, we extended it to 29 December 2010. Please submit your entries to the Small Aperture pool on Flickr.

The rules are the same as October’s and November’s, but I’ll reproduce them here for you. Again, Haje and I will aim to have the results to you within a week of the competition closing.

Good luck!

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.