10 alternatives to Apple's Aperture

Now that everyone has got over their shock that Apple will be consolidating its image editing and organisation features later this year, with the result that its top-end programme Aperture will be closing up completely, people are probably beginning to think about alternatives. I've pulled together ten Aperture alternatives and sought out their positive and negative features. They're all Raw compatible, but do double-check their non-destructive capability. A standard gripe for the majority of these programmes is that they're tricky to get to learn, or that the interfaces aren't intuitive. While it is entirely possible that some of these programmes do have seriously unfriendly workflows and interfaces, it might also a case of them being different to what you know. I remember opening Lightroom for the first time and wondering if it controlled the International Space Station, too. It's all a learning curve. Still, it's probably worth bearing in mind that the open-source options don't have such pretty interfaces as the paid-for programmes.

And finally, we really don't know what Apple's plans are for its photo management and editing programmes. It's possible that Aperture's features will be integrated into whatever comes next. Or maybe they won't, if Apple is looking for a simpler, more consumer-friendly package. But it remains to be seen.

Adobe Lightroom

Lightroom is probably the most obvious option for people looking for an Aperture replacement. It's a comprehensive editing suite that sets the standard in its field. In addition to the expected functions, Lightroom includes advanced features such as brushes, gradient tools and specific lens corrections. It's my editing suite of choice that I feel offers me almost everything I want in an image editor.

However, some photographers—me included—are concerned that the option to purchase Lightroom as a stand-alone editor will be subsumed into the subscription model Creative Cloud and we'll find ourselves beholden to Adobe in perpetuity. If the potential for that bothers you, you might wish to look elsewhere.

Positives

• Regarded as the market-leader in its class

Negatives

• Feature-laden interface can be overwhelming
• Some people unhappy with Adobe

Lightroom perpetual licence: £102.57 Adobe Photography CC bundle (Photoshop CC + Lightroom): £8.78 ($9.99)/month

Corel AfterShot Pro

If anyone doubted that Corel were still in business, yes, it is. And if you're wondering what happened to image editing software Bibble, it was bought by Corel... and became AfterShot Pro. The first version met with significant criticism for lack of basic features such as red eye correction and a reset button. This has been corrected for version 2, together with improved batch editing features and new noise reduction features. By all accounts, it's a pretty nippy piece of kit.

Corel has also stated that it is looking to make life as easy as possible for Aperture users who are looking for a alternative programme. It's reasonable price together with its comprehensive feature set makes AfterShot Pro a compelling option. And you can check it out for free before buying, too.

Precise control with selective editing in Corel's AfterShot Pro

Positives

• Quick and responsive
• Comprehensive feature set
• Supports layers
• Batch processing options
• Enjoys local editing features

Negatives

• Idiosyncratic lay-out
• Limited plug-in selection
• No web or email sharing capability

Corel After Shot Pro: £57.99 (usually $79.99, currently $59.99)

Cyberlink PhotoDirector Suite

PhotoDirector claims itself to be 'a unique application that combines all the features you need for photography in a single workflow – efficient photo management, complete adjustment and creative editing.' It comes with some serious editing firepower—from body-slimming tools to content aware object removal—and some sparkling reviews. You can try before you buy with a 30 day free trial. If the PhotoDirector Suite is a bit too pricey for you, have a look at PhotoDirector Ultra, instead.

Create tilt-shift effects in PhotoDirector

Positives

• Intuitive interface
• Comprehensive feature set
• Facial recognition

Negatives

• No batch processing
• Inconsistent import times
• No geo-tagging capability
• Limited lens correction profiles

Cyberlink PhotoDirector: £114.99 (currently £89.99)

PhaseOne Capture One Pro

You might think of Capture One as being a medium format image processor, but it's capable of handling dSLR- and EVIL-created files, too. It's history of medium format processing means that many of the features that you're accustomed to seeing in places such as Photoshop as well as Aperture and Lightroom come as standard in Capture One. You might need to take a deep breath when you look at the price, but there is a free trial to test it out first.

Positives

• Comprehensive feature set
• Supports layers
• Local adjustment tools
• Clean and customisable interface

Negatives

• Expensive
• Can be sluggish

Phase One Capture One: €229 (currently €114)

Darktable

Darktable is a free, open-source image editing suite that does seem to offer the most comprehensive and user-friendly experience without having to pay for anything. While one should never judge a book by its cover, the Darktable website is the most professional looking one in the open-source category.

Darktable in action

Positives

• It's free
• Impressive range of functions, including split toning, film emulation, watermarking
• Tethered shooting support

Negatives

• Interface requires refinement
• Clumsy and confusing image filing system
• Undo system could be better

Darktable

digiKam

The digiKam website does give me a mild headache, but plenty of people seem to like the software. In particular it includes some features that aren't available in places such as Lightroom yet, for example fuzzy search and facial recognition.

digiKam in action

Positives

• It's free
• Map integration for geo-tagged images
• Facial recognition and fuzzy search capabilities

Negatives

• Can be buggy
• Idiosyncratic workflow

digiKam

Lightzone

Once upon a time, Lightzone was a commercial enterprise under the aegis of the now-defunct Light Craft company. It went off-line unexpectedly in Sepember 2011, but resurfaced as an open-source initiative tentatively in December 2012 and then more fully in June 2013. Given it was once a commercial product, Lightzone does benefit from better-than-average-for-anope-source-project documentation.

Lightzone, with notes

Positives

• It's free
• Extensive functionality
• Well documented for an open-source project
• Intuitive layout
• Previews effects in miniature
• Supports layers
• Localised adjustments

Negatives

• Users need to register before downloading the software
• Weak image management tools

Lightzone

Hasselblad Phocus

Hasselblad's Phocus might have started out for Hasselblad cameras, but it now supports a wide range of manufacturers' devices.

Positives

• It's free
• Mobile app
• Intuitive, attractive interface

Negatives

• Not that many people know about it or use it (maybe that's a good thing?)

Hasselblad Phocus

Photivo

Most of what I've read about Photivo suggests that it's a powerful piece of kit, but that it isn't necessarily easy to leap into it and get started. It doesn't offer any management features, just development functions, and is open about it not being for beginners.

Photivo in action

Positives

• It's free
• Localised adjustments
• Extensive control
• GIMP integration

Negatives

• Not necessarily intuitive
• Not designed for image management

Photivo

Raw Therapee

Raw Therapee seems to offer a peculiar mix of some incredibly advanced editing capability with some serious oversights. While its demosaicing feature is super for low noise images, it's reported that it doesn't cope well with noisier photos. With today's strospheric ISOs, it might be a dciding factor.

Raw Therapee dealing with chromatic aberration

Positives

• It's free
• Demosaicing feature
• RL Deconvolution sharpening tool

Negatives

• Slow
• Complicated workflow
• No batch processing option
• No localised adjustments
• Wobbly image management interface

Raw Therapee

Is Adobe's Lightroom Mobile fully embracing the mobile experience?

Adobe: purveyor of world-recogned photo editing options: some for desktop, some for mobile, and some that enable cross-over between devices, such as Photoshop Touch and Photoshop, via the Creative Cloud. That was all well and good, but what about Lightroom? When would that be available on a tablet as well as a desktop, people were wondering. What was taking so long? As of today, that wait for a mobile version of Lightroom is over. But is the Lightroom that people were expecting? For a start, it's Lightroom for iPad. There's no alternative tablet offering. You need to be using at least an iPad 2 running iOS 7 to make use of it.

Second, it isn't so much Lightroom for iPad, but Lightroom for desktop with an iPad outpost. As Adobe puts it, it's a companion app. Whatever you do on your iPad will always come back to your desktop Lightroom catalogue via the Cloud. For the majority of Lightroom users who want mobile access (and are iOS-based) this is probably how they envisioned using Lightroom mobile, as something that works in tandem with their desktop version: a manoeuvrable dinghy tethered to much bigger-engined boat. However, anyone who might have been expecting a stand-alone app independent of the desktop, however hollowed-out that might have needed to be, will be disappointed.

I'm not sure that the full fire-power of Lightroom would function on a tablet without being scaled down and refined in some way (and indeed Lightroom Mobile is a limited version of Lightroom), and making those types of sacrifices to functionality is possibly not something that Adobe wishes to contemplate or existing users would accept without having full-scale back-up, hence this iteration. Are Lightroom users the mobile-only type? Yet, I do feel as if there's a degree of reluctance to embrace a truly mobile experience on Abobe's part. The Creative Cloud is there when Adobe wishes to take advantage of it and lock users into a subscription, but not necessarily to put users' interests first and give them a workable and truly mobile-only editing option in a world that's increasingly portable.

Amongst other things, Lightroom mobile will allow users to:

• Sync mobile edits, metadata and collection changes back to the Lightroom catalogue on a Mac or Windows computer
• Automatically import images captured on an iPad and sync back to a Lightroom catalogue on the desktop
• Work on images, even when the iPad is offline, for a truly portable experience
• Sync photos between Lightroom 5 and Lightroom mobile; synced photos can also be viewed from any Web browser

And finally, the synchronisation-based architecture means that the mobile version of Lightroom is only available if you subscribe to the Creative Cloud. That means if you want the option to edit on your iPad, you need to shell out either £8.78 ($9.99) for the monthly photography subscription, or whatever Creative Cloud package takes your fancy. There's no option for stand-alone Lightroom users.

I'm not an iPad-user so there's no decision for me to make here, but I would be interested to know if you think that this version of Lightroom Mobile fulfils your needs, or if you think that Adobe has missed a trick.

Palette: a tactile interface to edit your photos

When you're beavering away in your editing suite, converting images to black and white, tweaking the colour balance, and adjusting the levels, how do you work? Graphics tablet? Mouse? Keyboard shortcuts? A mixture? The team behind Palette is looking to provide a new, more tactile means of making adjustments and applying presets to our images. They're hoping that Kickstarter can help bring to life their customisable, modular, hardware interface for editing. Comprising blocks that fit together like Lego, a palette allows you to edit your images using tactile controls. Different functions are assigned to different controller blocks; these include buttons, sliders, and dials.

If you decide that you need to reconfigure your palette, switching your toy camera preset to a black and white preset, you can do that via the Palette web app.

The Palette team is looking for CA$100,000 in Kickstarter funding. Pledges for Palettes start at CA$99 for the brushed aluminium four module starter kit, comprising a master block, a button, a dial, and a slider. Then come six module apprentice kits and 16 module professional kits as well as some limited edition cherry wood ones, too.

Palette might not be so great for editing on the move, but I like the idea of having physical controls over my edits, rather than relying on mouse, keyboard shortcuts, and trackpad. I also find Palette's flexibility and reconfigurement and expansion capability appealing. It's also worth pointing out that Palette isn't just for photographers: the controllers can be assigned to interact with music production suites and video editing programmes; if you've another idea, get in touch with the team.

Interested? There's a heap more information on Palette's Kickstarter page!

There's a Snapseed update in town, but it's not for everyone

Snapseed has released an update to its iOS and Android apps, bringing two new features to its editing suite. You can now apply an HDR effect to your photos using the HDR scape filter and in the Tune Image function there is now the ability to adjust shadows with a dedicated shadows slider. BUT if you're still running iOS 5 or 6 (some people are) please don't update yet. There's a bug that is presenting problems with saving or sharing images when you're running these versions. The team behind Snapseed is aware of this and they're working on an update to address it.

Update! If you're an iOS 5 or 6 user, it's now safe to download. HDR-away.