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When you hear the term 'high-res' thrown about with such abandon when it comes to images for web use, have you ever stopped to think just how big or how high quality and image meant for the web needs to be?

Resolution and pixels and image quality! Oh my! Saving images for the web
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Haje Jan Kamps
Low-contrast photographs don't have to be boring

There's an assumption that high-contrast images are more dynamic, more compelling, more inviting. Have a go at some low-contrast photography. You might surprise yourself with the results.

Low-contrast photographs don't have to be boring
Feature Articles, Theory
Daniela Bowker
Seeking balance in your photos

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Seeking balance in your photos
Feature Articles, Photography Theory
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Training your photographic luck

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Feature Articles, Practice
Daniela Bowker
The ups and downs and ins and outs of ...

Photographing buildings doesn't have to mean wide-angle lenses and fretting about correcting for the keystone effect. Any lens, and angle. Don't believe us? Let us show you!

The ups and downs and ins and outs of photographing buildings

compulsion

Blacked Out

Blacked out 2

As part of my terribly glamorous lifestyle, which yesterday included writing a story-telling workshop for a theatre company and doing my laundry, I also attended the opening of the Blacked Out exhibition, held in an old railway arch in south London.

The exhibition features the work of eight artists, all of whom explore the interplay of light in a blacked out, urban space. There’s everything from a mirrored tunnel to an installation that uses glow-sticks. But it was of course the photographs that grabbed my attention the most. Okay, no, it was the glow-sticks. I admit it. How could I resist a neon Minnie Mouse hairband?

Convulsion Compulsion, by Sally Butcher

However, I was drawn to Sally Butcher’s beautiful photographic prints that layered delicately lit different aspects of the female body. Their subtlety was almost unnerving, but I found myself captivated by their strange contrast of tension and ethereality. And this contrast was taken up a few notches by the prints being in black and white, and the strange lighting of the venue.

If you’re in or around London, and the London Bridge area in particular, it’s worth an hour of your time. (And not just to play with the glow-sticks.)

Blacked Out runs from 21 to 28 August, 13:00 to 18:30, at Arch 897, Holyrood Street, London, SE1 2EL.