Image aspect ratios
In a recent photo critique, I went off on one about the aspect ratios I prefer, when I look at photos. But have you ever thought about why you would prefer a particular image ratio? Is there a rule about what size photos should be, and if so - who decides the rules?
I’m just sharing my own thoughts here, but I’d love to hear your opinions on the matter as well!
There are a lot of ideas around regarding what size things should be. ISO 7810, for example, specifies the size and shape of a credit card, the aspect ratio of which many people find is a comfortable, conceivably because its official size (85.60 × 53.98 mm) is pretty close to the aspect ratio of a golden rectangle (related, of course, to the golden ratio. See also the silver ratio, which is used, among other things, to determine the shape of an A4 sheet of paper).
So why do most photographers operate with 3:2, 4:3 or 1:1? Well, truth be told, it’s a historical thing: The modern 135 film (also known as 35mm - referring to the width of the film - or 36mm - referring to the width of a negative frame - film) was 36mm by 24mm in size. The past 80 years or so, we have become so accustomed to the 36×24 (that is to say, 3:2 aspect ratio) photos, that it just looks… right.
4:3 is the aspect ratio of a normal television, which is of course another size we have become used to over time, and it is the aspect ratio used by most computer monitors. Some digital camera manufacturers took to - including Canon: my Digital Ixus / Elph takes photos in the 4:3 aspect ratio. Some cameras - including the Canon Powershot G7 - even support both image ratios, selectable in the menu system. If you are curious which cameras use which aspect ratio, check out Digital Photo Review. Since the dawn of time (well, since Phil Askey has had the the stats on his site), they’ve kept track of which camera uses which.
The last aspect ratio that is popular is 16:9, because it is used in cinemas as ‘wide screen’, but there are dozens of others in use, too.
So, err, do you use a calculator when you crop your photos?
Oh, not at all! The marquee tool in Photoshop has a powerful function which is called ‘fixed aspect ratio’. As you probably know, if you use the marquee tool and hold the shift key, the selected area is forced to be a perfect square. You can also select your own aspect ratio, however, in the tool menu that shows up when you select the marquee tool:
Here, you can type in whatever aspect ratio you prefer, and the select tool will lock on to it. If you want to switch between 3:2 and 2:3 (for example, if you want to crop portrait instead of landscape photos), you can just click the button with the two little arrows: It swaps the numbers over for you.
Nifty, yes?
What makes you choose an aspect ratio over another?
So, why do I refuse to crop images to anything other than either 3:2? It’s an odd one, I’m fully aware of that, but to me, there’s something almost holy about 3:2. I like my photos to be photo-shaped, and to me, the 3:2 shape just looks the most right. I find it peaceful to look at, and there is something exciting about working to the arbitrary and dated restraint of 3:2.
At the same time, I did a photo shoot about 4 years ago which opened my eyes to shooting square photos. I had a few photographs that were very successful, but that just didn’t quite want to work out as photos. In the end, I spotted that perhaps it would work if it was square, and this was the result:
Ultimately, I can’t tell why I decided to stick to those two formats. Perhaps it looks tidier. Perhaps it saves time if and when I decide to have the photos printed. Or perhaps I’m just an old-fashioned has-been, who refuses to let the fact that you can crop your image to whatever the hell you want to break on through.
So… What about you? Do you have hang-ups about aspect ratios of your images? Leave a comment!
(can you spot what all the aspect ratios in this post were? The girl is 1:1, the glasses and sleepy person is 3:2, the flower is 4:3, and the brown stuff, which actually is tobacco from a cigarette, magnified 6x, is 16:9)
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This entry is © Haje Jan Kamps / Photocritic.org, and was posted on Saturday, December 23rd, 2006. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
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#1 - December 23rd, 2006 at 05:07
I know what you mean… I get really upset when I have to crop a photo at something other than 3:2 (although they can turn out looking much nicer if the cropping is weird).
#2 - December 23rd, 2006 at 07:02
i haven’t hit digital yet, so i just print at whatever looks good through the enlarger
#3 - December 23rd, 2006 at 07:17
I primarily stick to 3:2, I tend to compose fairly tightly in-viewfinder, and I buy a lot of my framing and matting supplies in quantity, so anything outside of that ratio tends to be a hassle.
This has proven to be a mistake more than once. I’ve started attempting to intentionally shoot several cropping variations of the best situations, sometimes a project really requires a different crop.
#4 - December 26th, 2006 at 18:37
I tend to go the other way from you and stay away from 2:3 proportions whenever possible. All else being equal, I prefer odd sized crops with square and panoramic my favorites. I went on a 12×24″ kick a few months back and printed several shots that size.
But I think it all comes down to the image. Some work in 2:3, some in square, and some in 10×30″. One of the best features of digital photography to me is that it’s so easy to print any size you want.
#5 - February 6th, 2008 at 05:56
I recently went to have some photos printing and they suggested cropping them to fit standard frame sizes to avoid custom framing. Honestly, the idea of altering a photo based on a shape rather then the natural balance of a photo disturbs me. My camera is 4:3, my previous camera is 3:2, but I have always cropped the photo based entirely on how the photo looked best. (I do have a slight tendency to make photos wider to fit the natural separation of human eyes) I really can’t imagine attempting to conform to a ratio.